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Amapiano beat maker: log drums, shakers and a lot of space

Amapiano is slow music that never stands still. The log drum - a deep, rubbery, pitched bass hit - plays a melody in the gaps the kick leaves, and a shaker keeps moving underneath the whole time. This page opens with four log drum pads tuned low to high, so you can play that melody rather than trigger one note.

The log drum is the instrument

Four pads - LOG LOW, LOG MID, LOG HIGH and LOG SLIDE - are one instrument tuned across a range. An amapiano bass line is a three or four note phrase played across them, answering the kick from the off-beats and resolving at the end of the second bar. Play it with your fingers before you draw it: the timing is the point, and the grid will not find it for you.

How to build the groove

  1. Program the log drum last and never on beat 1. Put the first note on the 'e' or 'a' after the kick and let the phrase answer back across the bar - a three or four note figure that resolves at the end of bar two. The pads here are tuned low, mid and high so you can play a melody with them; using only one is the single most common way an amapiano beat sounds flat.
  2. Run the shaker on every 16th at low velocity, then raise every fourth one slightly. That constant motion is what makes the tempo feel unhurried rather than empty. Drop the shaker entirely for one bar before a change and the return will feel like a drop without touching anything else.
  3. Put the open hat on the off-beat eighths - the '&' of every beat - and let it ring into the next kick. Amapiano lives in that overlap; a short, tidy open hat kills it.
  4. Keep the kick quiet relative to the log drum. In most other dance music the kick is the loudest thing in the record; here it is the log drum, and the kick just marks time underneath it.
  5. Leave the chords soft and late. Two or three stabs per bar, behind the beat, is plenty - the genre's warmth comes from space, not from filling it.

Give it a melody too

Drop a chord, a vocal or a piano note onto a pad and press MELODY: the sixteen pads become that one sound laid out as a scale, so you can play a line with it without knowing which notes are in key. The CHORDS view puts a whole progression under your hand - amapiano's soft, late piano stabs are two or three of those a bar and nothing more.

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BAP Studio is inspired by classic 16-pad sampler and drum-machine workflows. It is an independent project and is not affiliated with, endorsed by, or connected to Akai Professional, Roland, or any other manufacturer.

Made by Max Berggren.